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“MAD 4 IT” ALBUM REVIEW (Luca Zamberlin feat. Atma Anur)

The "Mad 4 It" Crew Luca Zamberlin, who has lived in the UK for years and has just recently come back to Italy, is proud of cooperating with several notorious names on the music scene – you just need to think about his militant contribution to  Driveshift alongside Cozy Powell, Neil Murray, John Sinclair. The list would be too long, so I invite you to have a look at the artistic career of the artist.

Mad for It "MAD FOR IT" CD cover is an entirely instrumental album, which hosts as special guest the great American (even though of English origin) drummer Atma Anur, known for his previous experiences with Jason Becker, Tony MacAlpine, Cacophony, Greg Howe, Richie Kotzen and many, many others. On bass it features the renown instrumentalist Piero Trevisan, whose background includes excellent collaborations, such as the one with Steve Saluto, who is also present on this album as a guest.

There is no doubt in my mind that they should be awarded for the very high level of production on this CD. Kudos to Carlo Zundo, another well known guitarist in the Venetian area who was involved in the production process. His contribution to the mastering of the CD is absolutely in line throughout the album, as his approach is fresh and free from the standardization of sounds that nowadays makes albums pretty much similar to one another. You can hear everything just fine: the guitars, track by track, the bass lines, and the drum sounds are absolutely natural! I don’t think one may expect anything less from excellent production.

Two songs have to be mentioned, “Cup of Tea or Cup of Coffee” and “Big country”, which have been written by Luca especially for the great Londoner guitarist of Welsh origin Shaun Baxter. Luca has attended his metal guitar masterclasses at the Guitar Institute of Acton (London) from 1989 to 1991, and has privately studied with him, a chance which is reserved to very few, between 1993 and 2000.

My general view on their work on this album is that it is an exquisitely technical record. I do not use the term “exquisitely” by chance, as here the listeners can find a particular music taste and a groove which are rarely found on instrumental albums. Zamberlin switches naturally from rock blues sounds – winking at the best Mr Big’s ones- to the more neo-classical, Malmsteen-style sound, and further still to acoustic ballads, exquisitely reminding one of a Led Zeppelin touch (particularly the “White Summer” cover that closes the record).

Atma Anur Atma Anur on drums is simply superb: a drummer who really has the groove in his veins. Right from the first listening, which is usually easy, he has a simple but not in the least trivial style, which makes us discover a kind of noble technicity that was somehow not entirely spotted at first, and that seems to deepen with every new listening. After analyzing the record you realize that the “simplicity” that was transmitted from the first listening was given exclusively by his incredible ability to perform highly technical things without making them invasive throughout the track. This is what people call “class” and this is not just any drummer’s mark.

The bass is precise and punctual in every song, going away from the usual contemporary anonymity of the last years’ productions. This hits the spot, as it is definitely the perfect glue for Zamberlin and Atma Anur’s project. It often happens that, while listening to a particularly pleasant passage in a song, you realize that it is precisely the bass that makes the difference.

And now a closer look at the songs. The record opens with “Hacipaci Boogie”,   a song that immediately catches you, and carries you away with its groove that you just can’t resist. The sounds coming together in the melody are fresh and modern, and this makes the song an absolutely delightful listening. It is followed by the more rocky and bluesy Mad 4 It. You can’t help stamping your foot to the rhythm as you enjoy the waterfall shades of Luca’s exquisite solo bearing witness to his technical and compositional prowess.

When “Cup of Tea or Cup of Coffee” strikes, it sticks into your mind immediately, thanks to the main riff, very pleasant and catchy, spaced out by some killer licks perfectly intersecting within the track, giving it sometimes a harder line, without taking you away from the melody which captures you from the first listen. “Spaced Out” is the fourth song, which definitely stands out among the others. It has an

absolutely enthralling solo part on a very ethereal base, which allows the listener to enjoy the imaginative side of Luca’s creativity.

“C.T.P.” takes us back, placing our feet firm on the ground.

This is a rocky song, a tribute to Malmsteen’s neoclassicism, which will be appreciated by lovers of a more metal virtuosity, made even more precious by the optimal cellist JurJ Luisetto. Speed, technique and virtuosity are the key words here. With one song Luca Zamberlin wipes out any doubt on his skills. And this is only one “episode” in a whole series within the album, an episode which for sure hits the nail on the head.

With “Binge Blues” the listener is taken back to a groove similar to the ones opening the album, even if, this time, a few shades closer to metal as a genre. I can’t help thinking about some of the best songs by Mr Big, even though there is a characteristic mark throughout the entire Mad 4 It album: the skill in making different sounds combine together perfectly.

Some of the best songs on the album, with the amazing Atma Anur behind the drums, of course, are the three ballads closing the album.  “Here and Now”, where, once again, Luca is accompanied by JurJ Luisetto’s cello, gives us a pleasant and moving song as a present. It is a reflective song that relaxes the listener’s mind and brings him or her into the right mood to go on with the listening of the last pieces. One notices a changing of gears towards the end of the album, which says goodbye to the more rocky side to take one to a little more reflective path paving the way to “Big Country”. Now is when one can lit a cigarette and sip a drink, thinking about all the songs previously listened to. “White Summer” is a short Led Zeppelin tribute: only 1 minute and 30 seconds long, but with a closing theme that rounds off the album.

So far, thinking back to the sequence of songs in the album the listener realizes that nothing has been left to chance. Mad 4 It is an album of great depth, melodic and complete. Neither too long for the listeners to get bored (the serious risk of exclusively instrumental works) nor too short for them to feel disappointed. With Mad for it, Luca Zamberlin re-introduces himself on the stage in great style. I recommend this album to all good music lovers, great aspiring guitarists still in school, as well as to any other interested listeners.

 

Reviewed by Alex Torchia

Translated from Italian by Marika Borella

Edited for the PHOSPHOROUS HEADS by Alina Alens

Album available on iTunes & Amazon.

SPECIAL APPEARANCE: Atma Anur on stage with Richie Kotzen

Richie Acoustic Tour

Truth in Shredding reports:

Richie Kotzen and Atma Anur

Poland show is a sell out, crowd packed to the rafters!

Where: Lizard King
When: June 28th, 2013

Atma & Richie 1

Atma & Richie 2

Atma & Richie 3

Atma & Richie 4

Atma Anur

The end of a GREAT show!

Lizard King Crowd

ATMA ANUR INTERVIEW FOR THE ROMANIAN DRUMMERS’ PROJECT “TOOFTAFF”[23.06.2013]

ToofTaff Romanian Drummers:

Can you tell us a little about your history, how did you start playing drums?

I first saw Ringo Starr on television when I was about 2 years old. My mother would tell me this story all the time. I would run to the TV screen pointing at him and bouncing up and down… going a bit wild. My dad bought me a little red plastic marching drum for around my neck along with a mini 45 of „the little drummer boy”… history in the making I guess.

I went to a music and arts high school in NYC, then went on to Manhattan School of Music and then Berklee Collge of Music for my later studies.

After college I moved to San Francisco where I began my actual professional career (I would be in as many as 7 bands at one time in those earlier days). I did do quite a bit of playing and recording during my time in NYC and Miami, Florida (1976 to 1980), but I consider the San Francisco days the true beginning.

My first recording in San Francisco was with Bill Summers (of Herbie Hancok’s Head Hunters fame). After that I went on to record many albums begining about 1984, a lot of the well known ones were for Mike Varney’s Shrapnel Records (Cacophony, Jason Becker, Greg Howe, Richie Kotzen, Tony MacAlpine, etc…)… but there were many other lables as well.

TRD: At what age did you get your first kit?

I begged my parents for a drum set at about age 10,

Holly Beckles Group (press photo - 1978)) — with Joel Newman, David Michael Weiss and Atma Anur

 I got a set from a local shop known as Woolworth’s back in those days. It was a paper drum kit… but I did not realize that it was not a real set at the time. About a week later I did come to understand what I was banging away on… So I went back to asking for almost a year more. I finally did get my first 3 piece Stewart kit… Kick, Snare, Rack Tom. It also had 1 cymbal… I was very excited!

TRD: Have you had any hard times with working with people, or situations that made drumming difficult?

The Jason Becker Fest Grand Finale - Nov 2011 Working with people is the same in every profession, compassion, understanding and patience are always needed in order to come together for the greatest good in any situation.

Making music is a creative endeavour, so one’s openness and willingness to give one’s self over to the music in the moment, will determine the final out come. Playing an instrument is difficult if one is not prepared. Having knowledge of the role that your instrument plays in various musical styles, while having the personal chops on one’s instrument, is of ultimate importance.

 TRD: What is your favourite groove or rudiment?

Well, I guess I can say that the Paradiddle is the

Atma Anur in Journey - 1986

most important and all round drum rudiment for me, I’m not sure that I have a favourite one though. The Paradiddle incorporates some of the most widely used hand motions for a drummer, and gives rise to many grooves and fills. It is quite a complex set of motions really, and can be used in just about every possible style to create time feels and interesting poly-rhythmic ideas.

An example would be to take the basic paraddile sticking RLRR LRLL (which is inherently a siteenth noe or an eighth note sticking) and play that pattern as triplets, quintuplets, sexteuplets and the like. Tap your foot marking the down beat of the subdivision you are playing, while playing the paraddidle pattern with your hands… just one simple idea amongst many.

TRD: Tell us about  what is your favourite song you play on drums, band you enjoy listening and drummer you like?

Atma Anur That could be a very long answer. I began playing along with record albums on the early 70’s (this was in fact my first teacher). I would play with The Beatles, Deep Purple, The Mahavishnu Orchestra, Gong and so many more. This continued till about 1989 (but I added actual teachers to my learning experience).

I’m not sure about a favourite, or at least I can’t remember. But those days playing along were great and very important to my development as a musician. Nowadays I do play along with things that I have to learn, but now it is to learn parts for gigs or recordings. I also play along with things that I have recorded in the past… sort of a refresher as to what I may have been thinking at some point in time.

I like listening to any great musician and take inspiration from many people, not only drummers. I get inspired by guitarists, violinists and sax players… a lot!

My favourite drummers would be Tony Williams, Elvin Jones, Terry Bozzio, Steve Gadd, Billy Cobham, Vinnie Colaiuta, Bill Bruford… and quite a few more. Let’s say people with very strong grooves, great chops and lots of personal style.

 TRD: What is your biggest dream ?

Atma Anur, Peter Marrino, Jason Becker, Marty Friedman

Atma Anur, Peter Marrino, Jason Becker, Marty Friedman

In terms of music my dreams have always been the same, and I have been realising these dreams for almost 30 years now. They are to be constantly involved in the process of creativity and making music. To be related to as many other musicians from every style and age group as is possible. And to be who God made me to be with all my focus and energy.  Being a musician, this is an on going way of life.

TDR: Tell us more about your gear. Do you have a particular part fo your kit that  you like the most? Due to a  particular sound or feel?

I have just very recently become a Pearl Drums Atma's Pearl Setupendorser.  I was with Pearl back in 1986 when I was in the rock band Journey. I then went with DW in 1991 and stayed with with them till 2012.

I was with Axis Pedals also from about 1989 to 2002 or so… then I rediscovered the DW 5002 pedal (later I moved on to the 9000 pedal). I think pedals and snare drums are my favourite parts of a drum kit (although I love drums in general). Right now I am having a great time with the new Pearl Demon Drive pedal… wow, what an incredible piece of technology!

I would say that this pedal incorporates the best of the DW 9000 and the Axis Long Board pedals. Atma Anur

My current set up is the Pearl Refference Series kit with 2 22×18 kick drums, 6 toms (4 racks and 2 floors) one of the rack toms is on the left side, just next to my snare drum. I play 13” snares. I have a beautiful 13×5 ½ TamoMaple (exotic wood) snare from the Pearl Masterworks Series, and 13×3 Brass piccolo snare mounted abouve the left side floor tom. There is a 20” Gong Bass Drum mounted over the right side floor toms as well.

I am currently with Sabian (have been for over 20 years now) and use a great many cymbals.

 TRD: Have you had any funny or scary moments on stage?

Not that I can think of. The scariest thing might be being unprepared… but then that’s where faith and the true love of making music comes the most into play. If you are there for the sake of the music… all is well, just let it flow.

TRD: What message would you like to send to our Tooftaff drummers?

I guess I can say that I have found music to be the

Atma Anur

most rewarding part of my life. I have seen how God’s hand has moved to guide me into many seemingly unusual situations through music and the talents he has blessed me with. I can say that trusting God and what one has been given, in general, is the way to live a full life… mostly free from fear and uncertainty.

As a drummer I feel that an open mind, the ability to focus and a respect for tradition will take you far. Confidence is also one of your greatest strengths… and that comes from the knowledge that God gave you whatever you may have and has placed you exactly where you are for a good purpose.

The dreams that one has are also for a reason and need to be respected… this will for sure take sacrifice… but well worth it all.

I will add that I am also offering on line drum lessons via Skype at my web site  www.atmaanur.com

There is also much more information about me and my musical history there… including many videos and songs from over the 30 plus years I have been a professional musician.

ATMA ANUR TESTING THE “TONERITE” DEVICE FOR DRUMS

Atma Anur is the first drummer to test the ToneRite “play-in” device for drums.

Atma ToneRiteThumbs up and

waiting for

the first results!

 Atma Anur: “I will begin testing the sound differences next week. There is a short time period of just letting the device sit with your instrument. Wow, what a whole new world we live in!”

ATMA’S NEW YEAR WISHES

Atma 1 Lizard King Krakow 27.12.12 Benefit

Atma Anur’s Facebook message to friends and fans

Happy and Blessed New Year everyone! ‘The Future’ arrives @Midnight… be blessed in it!!

The internet can be such a wonderful place! To be in contact with people from all around the world and share a feeling of love and appreciation… together, even though so physically far apart! Fb pretty much rocks for this reason… Thanks and blessings to my Facebook family. Looking forward to supporting each other in our love of music and life even more in 2013!

Atma 2 Lizard King Krakow 27.12.12 Benefit

Beautiful wishes, Atma! Thank you for your words! May you continue to be blessed and share the light of your talent with the world at your live concerts, in the recording studios and online!

Atma Anur’s message to our Phosphorous Heads Blog readers

It’s been a great year for blogging and sharing our thoughts. So glad to be in contact with our readers, and looking forward to continuing to light the fire of creative thought through music and love in 2013! Cheers everyone…